What makes it great: Risk is a frustrating and complicated film about a frustrating and complicated subject: Julian Assange, founder of WikiLeaks.
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How to watch it: Casting JonBenet is streaming on Netflix. Casting JonBen e t makes the case that the way we think and talk about sensationalized crime cases is deeply influenced by our own experiences - and it calls into question the possibility of ever arriving at something like the truth. Most of the film comes from these audition tapes. Once they arrived on her set, Green explained that the casting material would be used in the film - that anything they said on camera during the auditions might end up in the final cut, so they should be careful about what they say. But the focus of Casting JonBen e t isn’t the crime itself, it's the people of Boulder, Colorado, where the murder took place.ĭirector Kitty Green put out a casting call in the Boulder area, inviting people to audition for any role in the Ramsey case. The decades-old case of the 6-year-old beauty queen found murdered in her family’s home on Christmas night in 1996 is a popular subject for filmmakers looking to capitalize on the current taste for true-crime documentaries and docudramas. What makes it great: Hardly a conventional documentary, Casting JonBen e t is a moving look at how and why we respond to sensationalized crime in deeply personal ways. How to watch it: I D on’t F eel at H ome in T his W orld A nymore. Granted, it’s more violent than anything the iconic Southern Gothic author Flannery O’Connor ever wrote, but there are hints of O’Connor in the story: the flashes of goodness in the midst of bad, and the affection for characters who are difficult to love. It feels like a Southern Gothic tale in which someone’s finger might get snapped or a hand blown off, eliciting both gasps and giggles. I Don’t Feel at Home in This World Anymore doesn’t go anywhere you would expect - but it doesn’t want to. It helps that star Melanie Lynskey and Wood have impeccable comic timing, and the film is often very funny.
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The movie isn’t making fun of anyone, but it knows exactly how absurd humans are, and it uses tiny details - a woman’s obsession with nut milks, a man’s rat tail - to pull together a kooky cast of characters who aren’t stereotypical. She makes unexpected friends with a neighbor ( Elijah Wood) who has a penchant for ninja weapons (nunchucks, ninja stars, you get the idea), and the pair find themselves in the center of something far crazier than they expected. What makes it great: I D on’t F eel at H ome in T his W orld A nymore is the strangely titled but delightfully unpredictable story of a depressed loner frustrated with the world - “everyone is an asshole!” she says early on, in a fit of anger - who gets wrapped up in a strange, elaborate, and gory heist plot, entirely by accident, after her house is robbed.
16) I D on't F eel at H ome in T his W orld A nymore How to watch it: Manifesto is currently playing in limited theaters and will move to Amazon Prime later this year. But recited by Blanchett, performing as a puppeteer or a drunken punk in a dive bar, they become slightly ironic. Plenty of the manifestos in Manifesto would sound pretty pompous if you closed your eyes and just listened. The lines Blanchett speaks are taken from artist manifestos that informed the 20th century, with all but a snippet of Marx and Engels’s written by the artists themselves. More avant-garde art installation than film (in fact, before premiering at the Sundance Film Festival in January, it was an art installation), Manifesto rewards the patient viewer with a mysterious, artful, often funny reflection on the swagger, idealism, and ironies that arise when artists talk about their own work. What makes it great: Manifesto stars the marvelous Cate Blanchett as 13 different characters - something she could probably pull off in her sleep - but there’s no real narrative.
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